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This ring boasts approx. 0.60CTW of diamonds set in 14KT white gold and is size 6.75. Total weight is 3.2g.

This band features approx. 0.15CTW diamonds with 0.30CTW emeralds set in 18KT gold and is size 7. Total weight is 3.7g.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass. Artist Edouard Manet Title Lola de Valence

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

This ring features an approx. 0.10CT central emerald flanked by approx. 0.15CTW of round diamonds and is size 6. Total weight is 1.6g.

This ring features a singular approx. 0.08CT diamond set in a detailed round mount of 14KT white gold and is size 7.75. Total weight is 2.0g.

This art deco ring features an approx. 0.15CT diamond set in a 14KT white gold square frame and is size 6.5. Total weight is 1.8g.

This pair of earrings features approx. 1.0CTW of brilliant-cut K-L I2 diamonds set in 14KT gold. Total weight is 1.1g.

This pair of diamond stud earrings feature 0.92CTW H-I SI2 diamonds set in 14KT white gold with post backs. Total weight is 1.0g.

This pair of diamond stud earrings showcase approx. 0.97CTW J-K SI diamonds set in 14KT yellow gold. Total weight is 1.0g.

This pair of studs features approx. 0.32CTW of K-L Si2 diamonds set in 14KT white gold. Total weight is 0.7g.

This pair of earrings boasts 2 trillion-cut H-I Si2 diamonds (approx. 0.50CTW) set in 14KT gold. Total weight is 1.0g.

This pair of earrings feature approx. 0.36CTW H-I I1 diamonds set in 14KT white gold with screwback closures. Total weight is 0.7g.

This pair of earrings present approx. 0.78CTW brilliant-cut K-L SI1 diamonds set in 14KT gold. Total weight is 0.8g.

These earrings showcase approx. 0.91CTW J-K I1 diamonds set in 14KT gold. Total weight is 0.9g.

This pair of diamond stud earrings display approx. 0.60CTW I color SI2 clarity diamonds set in 14KT gold. Total weight is 1.2g.

This pair of earrings feature approx. 0.70CTW of brilliant-cut diamonds set in 14KT white gold. Total weigt is 1.6g. Sterling backs.

These earrings boast approx. 0.50CTW K-L SI1 Diamonds set in 14KT white gold. Total weight is 1.2g.

This pair of approx. 0.31CTW earrings features G-H I1 diamonds set in 14KT white gold. Total weight is 0.6g.

This pair of approx. 0.80CTW princess-cut diamond earrings showcase F-G diamonds set in 14KT gold. Total weight is 1.0g.

This pair of earrings features approx. 0.75CTW princess-cut H-I diamonds set in 14KT white gold. Total weight is 1.0g.

This pair of diamond stud earrings showcase approx. 0.50CTW princess cut G-H I1 Diamonds in 14KT white gold. Total weight is 0.8g.

This brooch features 18 cabochon garnets (approx. 11.30CTW) set in 14KT gold with a pin closure. Total weight is 10.4g.

These chunky little hoops feature 3 gemstones: spinel, diamond, and emerald, all set in 14KT gold. Hinge closures. Total weight is 6.1g.

These cute pave heart stud earrings feature a surface of diamonds set on 14KT white gold and post backs. Total weight is 1.4g.