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This art deco ring features an approx. 0.15CT diamond set in a 14KT white gold square frame and is size 6.5. Total weight is 1.8g.

This pair of earrings boasts 2 trillion-cut H-I Si2 diamonds (approx. 0.50CTW) set in 14KT gold. Total weight is 1.0g.

This ring features a singular approx. 0.08CT diamond set in a detailed round mount of 14KT white gold and is size 7.75. Total weight is 2.0g.

This pair of earrings features approx. 1.0CTW of brilliant-cut K-L I2 diamonds set in 14KT gold. Total weight is 1.1g.

This pair of studs features approx. 0.32CTW of K-L Si2 diamonds set in 14KT white gold. Total weight is 0.7g.

This Mikimoto brooch features 13 pearls ranging in size from 4.42mm to 7.11mm set in 14KT gold. Total weight is 9.1g.

This piece is a chunk of pink coral carved with nature motifs such as a bird and flowers. Total weight is 12.1g

This estate ring showcases approx. 0.12CTW of diamonds set in a 18KT white gold shamrock and is size 3. Total weight is 3.1g.

This ring showcases a row of channel-set diamonds in a 14KT yellow gold half band and is size 5. Total weight is 2.0g.

These earrings feature a 14KT white gold conch shells with diamonds and post back. Total weight is 2.6g.

This pin features intricate 14KT gold filigree set with a single central peridot and a pin closure. Total weight is 2.6g.

This piece showcases a beautiful gold-filled flower set with 56 garnets with a pin closure. Total weight is 6.5g.

This pair of earrings showcases approx. 0.75CTW sapphires set in 14KT gold with accent diamonds. Post backs. Total weight is 2.6g.

This pair of fun 14KT gold earrings sowcase a beach theme with sand dollars, shells, and starfish with post back. Total weight is 4.8g.

This ring wrap boasts a marquise ruby set on either side of your main stone (approx. 0.13CTW) with accent diamonds on the shoulders. Size 6. Total weight is 3.0g.

This piece is an antique locket with slots for 4 photos, one of which contains an old photo of a man holding a puppy. Total weight is 18.1g.

This set of earrings features approx. 14mm meabe pearls set in 14KT gold with omega backs. Total weight is 5.6g.

This incredible bracelet features two-tone gold set with 4 diamonds at 1.0CTW and measures approx. 8.75 inches. Total weight is 48.1g.

This set of earrings boast two oval-cut rubies (approx. 0.90CTW) as well as 3 baguette rubies below them, with accent and baguette diamonds set in 10KT gold. Total weight is 3.2g.

This set of earrings features approx. half-inch disks of malacite set in 14KT gold with omega backs. Total weight is 6.9g.

These earrings showcase gorgeous princess-cut peridots (approx. 1CT each) set in 14KT white gold with post backs. Total weight is 2.4g.

This pendant features a central approx. half-carat pear-cut sapphire framed by accent diamonds in 14KT gold. Total weight is 2.1g.

This lot includes a sterling silver rosary with a keychain-style carrying case. Rosary measures approx. 15 inches in the chain, crucifix and station are approx. 3.75 inches. Total weight is 14.5g.

This bracelet features approx. 0.54CTW diamonds set in white gold against a yellow gold band and measures approx. 7.25 inches. Total weight is 16.4g.

This pair of earrings feature single round sapphires set with a pair of accents diamonds in 14KT gold filigree hearts. Hook and loop closures. Total weight is 2.4g.

This pair of J earrings feature approx. 0.45CTW of round sapphires set in a row, flanked by accent diamonds, all set in 10KT white gold. Total weight is 4.3g.

This nautical crucifix pendant features an anchor and a ships wheel with a 0.16CT diamond, all in 14KT gold. Total weight is 5.2g.

This massive 10KT white gold cross features 177 irraditated diamonds. One gem is missing, but only noticeable upon very close inspection. Total weight is 25.7g.

This bracelet showcases 1.35CTW diamonds (135 diamonds total) set in clusters separated by stylized X-links. Bracelet measures 7.25 inches. 14KT gold. Total weight is 22.8g.

This estate piece features approx. 1.59CTW diamonds in the shape of a branch with leaves and includes approx. 0.10CTW emeralds all set in 14KT white gold. Total weight is 8.3g.

This pin features a bouquet of gems - aquamarine, blue topaz, and ruby - all set in multi-tone 14KT gold. Total weight is 18.7g.

This set of J earrings features smooth onyx with a slick streak of 14KT yellow gold down the centers of them. Post backs. Total weight is 8.8g.

These cute pave heart stud earrings feature a surface of diamonds set on 14KT white gold and post backs. Total weight is 1.4g.

These chunky little hoops feature 3 gemstones: spinel, diamond, and emerald, all set in 14KT gold. Hinge closures. Total weight is 6.1g.

This pair of earrings feature approx. 1.30CTW Marquise-cut garnets with accent diamonds in 14KT gold. Total weight is 2.3g.

This lot features a pair of diamond cluster earrings (approx. 0.15CTW) as well as two loose stones (approx. 0.48CT and 0.24CT, respectively). Total weight is 1.1g.

This piece showcases an approx. 1.25 inch by 1 inch piece of jade set into a 14KT gold filigree mount on an approx. 20-inch chain. Total weight is 11.6g.

This brooch features 18 cabochon garnets (approx. 11.30CTW) set in 14KT gold with a pin closure. Total weight is 10.4g.

This pair of diamond stud earrings feature 0.92CTW H-I SI2 diamonds set in 14KT white gold with post backs. Total weight is 1.0g.

This pair of diamond stud earrings showcase approx. 0.50CTW princess cut G-H I1 Diamonds in 14KT white gold. Total weight is 0.8g.

This pair of earrings features approx. 0.75CTW princess-cut H-I diamonds set in 14KT white gold. Total weight is 1.0g.

This pair of approx. 0.80CTW princess-cut diamond earrings showcase F-G diamonds set in 14KT gold. Total weight is 1.0g.

This pair of approx. 0.31CTW earrings features G-H I1 diamonds set in 14KT white gold. Total weight is 0.6g.

This pair of earrings feature approx. 0.70CTW of brilliant-cut diamonds set in 14KT white gold. Total weigt is 1.6g. Sterling backs.

These earrings boast approx. 0.50CTW K-L SI1 Diamonds set in 14KT white gold. Total weight is 1.2g.

These earrings showcase approx. 0.91CTW J-K I1 diamonds set in 14KT gold. Total weight is 0.9g.

This pair of diamond stud earrings display approx. 0.60CTW I color SI2 clarity diamonds set in 14KT gold. Total weight is 1.2g.

This pair of earrings present approx. 0.78CTW brilliant-cut K-L SI1 diamonds set in 14KT gold. Total weight is 0.8g.

This pair of earrings feature approx. 0.36CTW H-I I1 diamonds set in 14KT white gold with screwback closures. Total weight is 0.7g.

This pair of diamond stud earrings showcase approx. 0.97CTW J-K SI diamonds set in 14KT yellow gold. Total weight is 1.0g.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

Collectible vintage color plate circa 1980 from 'French Impressionism'. Published by Cross River Press, LTD. New York and printed in Japan. Comes with a solid wood golden gallery frame and UV glass protection glass.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.

VINTAGE BLACK AND WHITE PLATE AFTER THE ORIGINAL ETCHING BY PABLO PICASSO FOR THE FAMOUS 'PICASSO FOR VOLLARD' SUITE. THIS ARTWORK WAS PUBLISHED BY HARRY N. ABRAMS, NEW YORK IN 1956 AND PRINTED BY VERLAG GERD HATJE IN STUTTGART, GERMANY. BETWEEN 1930 AND 1937 PABLO PICASSO CREATED 100 ETCHINGS FOR AMBROISE VOLLARD, CONSIDERED AMONG MANY, AS THE GREATEST ART DEALER AND PUBLISHER OF OUR TIME. THIS SUITE IS CONSIDERED AS THE MOST SIGNIFICANT ACHIEVEMENT OF AMBROISE VOLLARD. THIS PRINT GRAVURE IS HIGHLY DESIRABLE DUE TO IT'S AGE, AND THE DISTINCTION ACQUIRED BY BOTH PABLO PICASSO AND AMBROISE VOLLARD THROUGH THEIR RESPECTIVE FIELDS.